Juan Alberto Negroni, Bayamón PR 1979. Based in Dallas TX.
Possess an MFA in Studio Arts from Southern Methodist University in Dallas TX, an MA Ed in Art History and Museum Studies from Caribbean University PR and a BFA with a Major in Printmaking from Puerto Rico School of Fine Arts . Counts with five solo shows, The Defect Effect, If it weren’t for my horse, Not About Beauty (Religion, Politics and other failures) all in San Juan, PR, Tiny Floral Show, (curated by Danielle Avram and Ryan Goolsby), in Dallas TX and A Midsummers Night’s Dream at 18.2208° N, 66.5901° W, Texas Woman’s University, Denton TX.
Has participated in multiple group shows such as Detroit: A Brooklyn Case Study, SUPERFRONT LA, Los Angeles CA 2010, Dialectic City, curated by Carla Acevedo-Yates (w/Francis Alÿs, David Lamelas, among others), Retro at Caguas Museum of Art, Muestra Nacional de Arts, Instituto de Cultura Puertorriqueña, San Juan PR 2015 and 2018, Art in America, (Curated by Julie Torres) at The Satellite Show in Miami FL 2015 & Elizabeth Stone Harper Gallery, Harper Center for the Arts SC in 2016, Kinds of Monuments, (w/Christian Boltanski, Luis Camnitzer, Cai-Guo-Qiang, Robert Morrison, Alberto Burri, amongst others), Zattere Cultural Flow Zone, Dorsoduro, Venice IT, 2da Gran Bienal Tropical (curated by Pablo Leon de la Barra in Loiza, PR, Home & Visitor at Le Consortium, Dijon FR, Topologies of Excess: A Survey of Contemporary Practices from Puerto Rico (curated by Emma Saperstein and Mariola Rosario), Harold J. Miossi Art Gallery, San Luis Obispo CA among many others.
His practice has been documented in printed press and magazines like, ArtPulse, El Nuevo Día and PATRON Magazine.
Recipient of the Meadows Artistic Scholarship Award 2015 and the 2017 Ecole Nationale Supérieure d'art Dijon Residency Fellowship.
His work is part of public and private art collections in Puerto Rico, United Kingdom, Argentina, United States, Canada, Australia and Greece.